Three major outlets dropped reviews for Criss Angel’s new Luxor spectacular Believe last night. Two of them independently invoked the 1995 Joe Eszterhas film Showgirls.
Here is the opening for Richard Abowitz’s review..,
All I could think about watching Criss Angel’s “Believe” was the movie “Showgirls” and Elizabeth Berkley’s Nomi Malone, the nomad who goes from stripper to Strip showgirl. Angel’s journey from street magician to Strip headliner is a similarly implausible story, but more so, it is his show that really manages to capture the so-bad-it’s-good spirit of the movie.
Meanwhile, Joe Brown of the Las Vegas Sun tosses this barb in his lyrical dismemberment in which he classifies Believe as Cirque’s “first bona fide bomb.”
Camp followers — the types who relish gems of unintentional badness like “Showgirls” and well, “Springtime for Hitler” — are advised to get tickets soon.
Surprisingly, it is the Las Vegas Review-Journal which was the first and most vocal to report the show’s problems through previews that presents the the most measured criticism.
So you might be lulled into the haunting imagery the same way you might be hypnotized by an old horror movie on TV. But then your roommate comes in and starts with the wisecracks and it goes the way of “Mystery Science Theater.”
To add insult to injury, Las Vegas Tripping.com even scraped Twitter for the opinions of the microblogging masses, which nary a positive word found.

















